Joby Talbot’s Path of Miracles was the first major work commissioned by the award-winning professional vocal ensemble, Tenebrae, in 2005 and having received high acclaim (“an evocative odyssey” – The Times) returns this year for an extensive UK tour.  To accompany its revival, Tenebrae has commissioned a unique new choral work by Owain Park, Footsteps, which allows Tenebrae to perform alongside the Choristers of Truro Cathedral and marks Tenebrae’s fifteenth-anniversary season.

Joby Talbot’s Path of Miracles was the first major work commissioned by the award-winning professional vocal ensemble, Tenebrae, in 2005 and having received high acclaim (“an evocative odyssey” – The Times) returns this year for an extensive UK tour.  To accompany its revival, Tenebrae has commissioned a unique new choral work by Owain Park, Footsteps, which allows Tenebrae to perform alongside the Choristers of Truro Cathedral and marks Tenebrae’s fifteenth-anniversary season.

The UK’s leading contemporary opera company, Music Theatre Wales, returns this autumn with a shockingly relevant tale of migration and exploitation, Hungarian composer Peter Eötvös’s The Golden Dragon. Set in a Pan-Asian restaurant found in any city anywhere, and based on Roland Schimmelpfennig’s wildly successful play, The Golden Dragon is funny, shocking and touching in equal measure. The tour runs from Friday 22 September to Tuesday 31 October, 2017.

Groundbreaking composer and performer Zoë Keating creates a universe of music with a cello, a laptop computer and her own boundless imagination. Canadian-born Keating worked extensively in the tech industry while performing at night with various rock bands, eventually combining her formidable musical and technological skills into a visionary hybrid in which layers of cello are combined to form deeply evocative webs of melody and harmony.

Groundbreaking composer and performer Zoë Keating creates a universe of music with a cello, a laptop computer and her own boundless imagination. Canadian-born Keating worked extensively in the tech industry while performing at night with various rock bands, eventually combining her formidable musical and technological skills into a visionary hybrid in which layers of cello are combined to form deeply evocative webs of melody and harmony.

Jan Vogler and the London Philharmonic Orchestra perform Britten’s Symphony for cello & orchestra, Silvestrov’s Symphony No.3 (Eschatophony) and Janácek’s Taras Bulba, conducted by Vladimir Jurowski.